Boris FX Sapphire Plug-ins
The effects package that has been supplying glows, lens flares, transitions and stylised looks to finishing rooms for decades, installed into every host on the machine at once.
The offline transcription component for Premiere Pro that turns every clip on the timeline into searchable text and drives the text based editing workflow.
This is the language model component that Premiere Pro uses to transcribe footage, packaged separately so it can be installed onto a build that shipped without it or updated without touching the host application. Once it is in place the transcription panel stops asking to reach a server and runs the whole pass on the machine, which is the reason most people install it deliberately rather than letting the host fetch it.
What it enables inside the editor is the text based workflow. Premiere analyses every clip in a sequence or every selected item in the project panel and produces a transcript with speaker labels, word level timing and confidence values. From there the transcript becomes an editing surface: select a sentence and it selects the matching range on the timeline, delete a paragraph and the corresponding clip segment is removed with a ripple. For interview and documentary assembly this collapses the roughest part of the job into an afternoon.
The same transcript feeds captions. One command turns it into a caption track with configurable characters per line, minimum and maximum duration, and gap handling, and the caption track is styled through the Essential Graphics panel so the look can be saved as a template and reused across a series. Captions burn in on export or go out as a sidecar file in the common subtitle formats, and the timing stays attached to the clips so a re-edit does not desynchronise everything.
Filler word detection sits on top of the same data. It scans the transcript for hesitations and repeated words, marks every instance, and lets you delete all of them across an entire sequence in one action with the option to leave a short pause where each one was. The language pack list covers the major broadcast languages, and packs are installed individually so you only carry the ones you actually work in.
Read the whole list before you start. Most of the reports that come into the desk about this title turn out to be a step taken out of order.
| Processor | Intel or AMD, 64 bit, six cores or more recommended |
|---|---|
| Memory | 16 GB minimum for transcription on long sequences |
| Graphics | Not required for transcription, though the host application still wants one |
| Storage | 5 GB free plus room for each language pack |
| Host | A matching year version of Premiere Pro already installed |
Version matching matters. A component built for one release year will not register with a host from a different year.
Transcribe from the original media rather than from proxies where you can. Heavily compressed proxies noticeably lower word accuracy.
| Title | Adobe Speech to Text for Premiere Pro |
|---|---|
| Developer | Adobe |
| Version | 2.2.5 |
| Category | Plugins & Extensions |
| Release type | Full version |
| Operating system | Windows 11, Windows 10 (64 bit) |
| Architecture | x64 |
| Interface language | Multilingual |
| Archive size | 1.42 GB |
| File name | adobe_speech_to_text_2.2.5_premiere_pro_x64.rar |
| Shelf updated | 5 days ago |
| Total downloads | 103,192 |
The effects package that has been supplying glows, lens flares, transitions and stylised looks to finishing rooms for decades, installed into every host on the machine at once.
The production renderer that a large share of architectural and product imagery is made with, installed straight into 3ds Max with both the CPU and GPU engines and the full material library.
The complete Waves plugin collection for mixing and mastering, covering equalisation, dynamics, reverb, modelled hardware, vocal processing and repair in one install.
A large collection of accelerated transitions and effects that installs into every major editor and compositor and renders in real time on the timeline.